It’s a strange mix of new movies out on DVD this week, but for the most part, it seems pretty clear which ones are worth seeing and which are going to put you to sleep. There are many more politically charged movies out this week than usual, but a good mix of other stuff, too. I recommend Son of Rambow and Chicago 10. See the rest at your own risk!
WHAT HAPPENS IN VEGAS (2008), Romance/Comedy, PG-13, 99 mins.
Ashton Kutcher and Cameron Diaz star in this romantic comedy as a couple who got married during a wild night in Vegas. Thankfully the movie understands how tired that premise is, so it attempts to complicate matters by intertwining their fates around a multi-million dollar jackpot that prevents them from just annulling the marriage quickly and quietly like Britney Spears did. Required by the courts to continue their marriage for at least six months, they each set about on a mission to make the other so desperate to get out of the marriage that they will request a separation, which includes forfeiture of the prize money. Cameron’s character is a determined career woman, while Kutcher eases through a performance as a perpetual goof-off. ‘Til death do us part, indeed!
But don’t try this at home kids. Your odds of winning millions in Vegas and accidentally marrying Cameron Diaz in the same night remain slim…
REDBELT (2008), Action/Drama, R, 99 mins.
A peaceful martial arts master is manipulated into participating in a highly commercialized ultimate fighting championship by a group of actors and fight promoters, changing his path in life completely. Tim Allen has a lot to prove in this turn from his traditional comedy fare. Here, he stars as an action movie star with an intensely dysfunctional marriage.
Faced with no options but to get in the ring and fight, the jujitsu master may be in for the fight of his life. It sounds like a typical martial arts movie, but writer/director David Mamet also gave us The Untouchable, Ronin, Heist, and a great many others, so it’s reasonable to expect more.
SON OF RAMBOW (2008), Comedy/Drama, PG-13, 96 mins. “Make Believe. Not War.”
Son of Rambow at first glance looks like a goofy children’s movie, but don’t be fooled. It’s set in England during one summer in the early 80s, and tells the story about friendship and the difficulties of growing up. Told through the eyes of Will, the eldest son of a Plymoth Brethren family that forbids him any contact with such “worldlies” as music and TV, until he becomes involved with Lee Carter, a young man at his school who makes home movies. Carter shows Will Rambo: First Blood, and having never seen a movie, Will is understandably blown away. He quickly agrees to be a stuntman in Carter’s next movie, leading to a reckless adventure through the world of amateur filmmaking and sudden popularity.
I’m always curious about movies that explore the possibilities of filmmaking, and this is one of the purest forms. Filmmaking changes Will’s life completely, and the adventures and difficulties that he and Carter have together make for a fascinating story and a pretty wild ride. See this one.
WHERE IN THE WORLD IS OSAMA BIN LADEN? (2008), Documentary, PG-13, 93 mins.
Morgan Spurlock burst into the filmmaking world with a bang back in 2004 with the spectacular documentary Super Size Me, and after various other projects (including the sporadically interesting television series “30 Days”), he has now returned to the documentary world with the almost unnoticed Where In The World Is Osama Bin Laden?
Spurlocks left-leaning political tendencies have peeked through in his films before (you remember the scene in Super Size Me where he shows a young boy a picture of George W. Bush and asks him who it is, and the boy says, “Jesus?” “No,” Spurlock replies, “but it’s a good guess!”), but now it seems he has pulled out all the stops.
I think we realize that the quest to locate and capture bin Laden has been largely a failure, but I’m not sure it should be Morgan Spurlock, who has not a lick of military or intelligence experience, who should be making a movie about his own personal search for the man. That’s highly politicized entertainment that can’t really go anywhere.
CHICAGO 10 (2007), Documentary/Animation, R, 110 mins.
This animated documentary uses an unconventional approach to tell the story of eight anti-war protesters who were put on trial for conspiracy following the 1968 Democratic National Convention. It’s a moving story about young Americans demanding to be heard by their next president and being greeted with tear gas, night sticks, and prison in response. Reminds me of the Chinese goverment’s reaction to the students’ protests in Tiananmen Square in 1989. Scary to think that that stuff has happened here too…
In the current, highly polarized political climate, it’s interesting to see something that took place 40 years ago in Chicago in front of a live audience of 50 million that also completely divided the country in two. The story is told using a bold style of animation, extraordinary archive footage, and an intense selection of revolutionary music. See this one, too!
AUGUST (2008), Drama, R, 88 mins.
Taking place in the final month before America was changed forever, August tells the story of two brothers running an online business called Landshark on Wall Street together and struggling to keep it afloat. Like Enron, there is never really much of an explanation of what Landshark is or what they do, it just exists as a plot point and then disappears when it needs to.
The film is unfortunately predictable and the juxtaposition with September 11th turns out to be meaningless, as it has nothing to do with the character change in the movie. It’s about a superficial man trying to cope with a failed company, not trying to realign himself with social realities around him, as you might expect from a film advertised through the very title as taking place just before a national tragedy.
POSTAL (2007), Action/Comedy/Thriller, R, 100 mins.
Here’s a pretty clear warning for you, Postal is written and directed by Uwe Boll, who is widely (and justifiably) considered to be the worst director alive. Personally, I would go a step further and say possibly the worst director who ever lived. IMDB.com lists what might be his two most famous movies, House of the Dead and Alone in the Dark, among the 100 worst movies of all time. You remember those, right? I do. My eyes still hurt from House of the Dead, which, like Postal, is made from a video game.
That being said, it would be a safe and wise assumption that Postal is a great movie to avoid at all costs. If you’re not convinced yet, check this out- it’s about an unemployed regular guy who decides to heist an amusement park, only to discover that the Taliban are planning the same heist. Now he has to “take on” terrorists as well as political figures.
But in the movie’s defense, there’s gotta be a good drinking game in there somwhere.
























